One of my favorite bushcraft sites is the oft-overlooked Ravenlore. The site is very simple, containing information on a number of projects that cover the basics of the craft, such as cooking and cutting. Interspersed throughout the site are stunning photographs that appear as if windows into Arda.

In addition to the site’s excellent and diverse set of information, what appeals to me so much is the manner in which it is presented and organized. It creates a feeling of myth, framing bushcraft as a story that we move through while on the trail. This is important, but undervalued. Joseph Campbell used to say that we were a people without myth. I disagree. I believe that we have an over-abundance of myth. Individuals must pick their own mythology to live within. Bushcraft, when taken as more as just wilderness survival skills, can be part of this.

Your life is a story. Pick up a pen and write it.

(Wayland is also a free-lance viking, pirate, and photographer.)

I love titanium. It’s so light, yet strong, and discolors beautifully when burned.

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After a long wait, the end of last week brought with it the arrival of my new BCNW-O1 bushcraft knife.

In late August, I had put aside some money for a new bushcraft knife. For quite some time, I had had my eye on a Skookum Bush Tool. Yet, over the summer I discovered Mike Lummio’s Bushcraft Northwest through his YouTube channel. One of his videos features his knife, the BCNW-O1. It has a very similar design to the slightly larger Skookum, which make it difficult for me to decide which I preferred.

The knife was listed as back-ordered on Mike’s web page, so in the beginning of September I emailed him, asking when the knives would become available. My intention was that I would purchase whichever of the two knives became available first. Mike initially told me 2 weeks. That got delayed to 2 months, due to a batch of special order knives with a sharper grind coming in first and his moving the school to a new location. Still, it was available sooner than the Skookum, so I decided on the BCNW-O1.

It was well worth the wait. I couldn’t be happier with the knife.

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Last month, vavrek and I began researching gravity powered water filtration systems. The British Berkefeld and Berkey filter systems dominate this market (British Berkefeld refers to systems using the Doulton Super Sterasyl filter elements, Berkey refers to filter systems using the Black Berkey filter elements). I had been set on purchasing a Berkey filter until vavrek discovered AquaRain Natural Water Filtration Systems, a lesser known (and cheaper) alternative.

The AquaRain systems are all built in the USA from stainless steel. The filter elements are from Marathon Filters, the same used by MSR in their portable filters. They’re ceramic with carbon which, as illustrated in this table, filters organic and microbiological organisms, but not heavy metals, radioactivity, or inorganics. (More information on different filter types is available here.) These filters have been shown to filter down to the .2-.3 micron range, where British Berkefeld units claim an absolute rating of .5 microns.

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A sit spot is an important part of Wilderness Awareness School’s Kamana program. Today, the School announced a challenge to visit a sit spot, 20 minutes a day, for 30 days:

The Sit Spot (also known as the Secret Spot): a surefire way to get to know nature and yourself more intimately… For some of us, going to this place is easy, like breathing. For others, we really want to visit a secret spot regularly, but it is a struggle, and we give up. No matter where you fall on this spectrum, I invite adults and youth of all ages to join Wilderness Awareness Schools’ first 30-Day Sit Spot Challenge!

Go to your Secret Spot every day for at least 20 minutes. The starting date is Friday, February 15, 2008 and will continue to March 15, 2008.

Rain (or snow), or shine, night or day, blindfolded or sighted, go to that beautiful place and the sky’s the limit. Do a sense meditation. Stalk up on the black cat that stalks the winter wrens. Dance. Build a fire. Whatever it is that you do when you go there, just do it! Even if you’re traveling, sit somewhere each day.

I’ve accepted. Would anyone else like to join in the challenge?

Steampunk: a history that wasn’t quite. At once both Victorian and Dystopic. A world filled by brass gears, pin-stripe suits, and a steam powered Deus ex Machina.

I’ve been familiar with steampunk as both a literary spin-off of cyberpunk and as a modding community, but only recently — through SteamPunk Magazine — come into it’s aberration as a subculture.

This third issue of SteamPunk Magazine is my first. I found it to be a most delightful mixture of short-fiction, interviews, tutorials, and rants. My preferred rant was My Machine, My Comrade by a one Prof. Calamity, in which he sees steampunk as “seeking[ing] to liberate the machine from simply existing as an instrument of work, while at the same time not elevating mechanical forms above all else… Steampunk seeks to find a relationship with the world of gears, steel, and steam that allows machines to not only co-inhabit our world but to be partners in our journey.” My favorite fiction was Margaret P. Killjoy’s Yena of Angeline in “Sandstorms by Gaslight” which (very much like mine own fiction) seems to go nowhere. It has no direction, and does not leave its reader with a sense of anything being accomplished, which makes it a disappointing first read. But, again and again, I find my mind wandering back to the world that Killjoy crafted and the characters that inhabit them. Ant that, I think, is some element of praise.

A SteamPunk’s Guide to the Apocalypse is a survival manual of sorts, covering basic aspects of shelter, water, and food. It should provide nothing new to the established crazy and serves as no replacement to In the Wake (or any of the works listed in the Guide’s Appendix B), though features thoughts on reclaiming urban resources that are lacking in other guides. But, like In the Wake, it is available as a free download, thus nullifying any excuse to not peruse the contents and keep it as a handy reference. I purchased it partly to support SteamPunk Magazine, but mostly for Colin Foran’s artwork, which provides a wonderful backdrop to the gritty subject of post-Civilization apocalyptic survival. Beyond comparisons to other manuals for outliving Civilization, my main criticism is that of the style of writing. Writers in the Victorian era were much more liberal than us in their use of capitalization, but there was a system. When I read those works, I feel the capitalization adds a certain emotion to the writing. Being a SteamPunk’s Guide, the author of this work (by happenstance, the same Margaret Killjoy whom I praised above) attempted to duplicate this capitalization, but failed. Whether there was or was not a system, it feels arbitrary, and detracts from the overall work. The Guide does present an attempt to emulate that era’s vocabulary, and I think does a good job of that — combining a sense of Victorian grace with modern punk and a bit of wit, for an agreeable solution of steampunk.