I use the reflective Ironwire that Lawson makes for Durston, tied in a spiral French hitching wrap. It helps to protect the chainstay, but mostly it looks cool.
At 2mm, Ironwire is slightly thicker than the 1.7mm Kevlar cord that ships with the FiberFix Replacement Spoke, but my guess is that I could unwrap some of this cord and use it with the FiberFix hardware. I have yet to break a spoke this eyar, so I haven’t had an opportunity to test this.
Last May I lost my right-side Sprintech Drop Bar Mirror in the baggage car of the Amtrak Coast Starlight. The right-side mirror is less useful than the left-side, so I didn’t bother about a replacement until after pedaling the 1,200 miles back home.
Upon returning, I decided to explore what other mirror options there may be rather than immediately purchasing another Sprintech mirror. I rode with a Take A Look Helmet Mirror for a few weeks, but found it to be less convenient than a mirror mounted to the bike. I messed with the D+D Oberlauda UltraLite Bike Mirror for a couple days. It’s a nice mirror, but I couldn’t find a mounting position that I was happy with on my drop bars. (While messing with this mirror I ended up moving my bell from the left to the right side.) Finally I purchased an FR06 from Hafny Components. I was immediately smitten with this, and bought a second FR06 for the other side a few days later.
The Hafny FR06 uses actual glass for the mirror. It is slightly convex – though less so than the Sprintech – and has a blue tint that does a great job of cutting back on glare. The optical clarity of the mirror is really excellent. This is entirely unnecessary for the application, but once I used it I didn’t want to go back to Sprintech’s chrome-coated ABS plastic.
The FR06 fits snugly into my Rene Herse Rando Handlebars, even with the tail of my leather tape tucked in. After inserting, a bolt is tightened to expand the assembly, locking it into place. The mirror itself is attached to the mounting assembly via a ball and socket joint. A separate bolt allows this joint to be locked in place. Since the mounting assembly can be rotated in addition to the pan-and-tilt of the mirror joint, positioning everything takes a little trial and error. Once the correct position is found, everything can be tightened down enough such that a smart smack will not cause anything to budge. Or it can be left loose enough to allow for in-flight adjustments. I’ve switched between both approaches, and in neither case have I had any issue with visual clarity or the mirror moving of its own accord, even on rough gravel roads.
I mount the FR06 with the logo-side of the assembly facing down. I think this is considered to be upside down, but it allows me to tilt the mirror up a few degrees higher than I otherwise could, providing a better picture of what’s behind me above the actual road surface. With the logo on the assembly facing up I found that the mirror ran into the top of the assembly just 1 or 2 degrees shy of where I wanted it.
The shape of the FR06 mirror is different than the old Sprintech. I don’t find the shape of one to be superior to the other. Both provide me with the image I want to see at a quick glance. But the higher quality look and feel of the Hafney offering makes me happy, and I think contributes to the overall sex appeal of my ride. This is something I prioritize.
I’ve used a King 1000/6000 grit combination stone as my primary home sharpening system since 2007.
Recently I bought a new set of Naniwa Professional Chosera stones. I needed to purchase a 400 grit stone to touch up a particular blade, and thought that I’d gotten enough use out of the King combination stone over the past 16 years to justify replacing it with separate 1000 and 5000 grit stones. I also purchased a Naniwa Stone Box and Stand for each of the three stones. I have a Shapton Pro 1000 that came with a similar box and have come to greatly appreciate its convenience.
The Naniwa stones are splash and go, so I do not need to plan to soak them before use. Because I store them in a case that also functions as a stand, I don’t need to think about digging out my stone clamp. The case also allows the stones to dry. When I’m done I can just rinse the stones off, pat them dry, and toss them back in the case until next time. I store the Naniwa stones on a shelf in my kitchen, not far from the strop. All of this reduces the barrier to sharpening, thus increasing the likelihood of sharpening.
In the past I’ve noticed that I will sometimes think I ought to sharpen a knife, but will procrastinate due to the need to dig out the supplies and soak the stones. With this new setup I can start sharpening within a few seconds of having the thought.
Thus far I’ve found the Naniwa stones to work faster than my others. I don’t know if that is because they are still new, or if they will retain that advantage throughout their life. This new setup isn’t cheap, but so far I’m glad I acquired it.
I’ve been using the Hydro Flask Lightweight Trail Series bottles for about a year and a half. They are the first double-wall insulated stainless steel bottles I’ve found that are light enough for me to want to carry regularly.
I first purchased the 21 oz when I happened to come across it on sale. I liked it enough to purchase the 24 oz a month later when I had an REI coupon. A couple months after that I purchased the 32 oz at full price.
I primarily use the bottles to keep cold water cold. I also sometimes use the 24 oz bottle to keep hot tea hot. I’ve not timed how long they hold the desired temperature, but they do so for at least as long as it takes me to drink whatever is in them, thus resetting the clock. They do not insulate as well as my Zojirushi SM-SA48-BA, but the Hydro Flasks are better as daily, general purpose bottles.
When buying a bottle, one of the things I look for is standard threading and neck diameters. I strongly dislike being locked in to proprietary lids. Hydro Flask meets this criteria, allowing me to replace their stock lids – which are adequate – with better options. The 21 oz has a standard narrow mouth. Mine wears a Topoko Straw Lid B. The 24 oz and 32 oz have standard wide mouth openings. Mine both wear the humangear capCAP+.
If not using the humangear capCAP+ on the wide mouth bottles, a splash guard is wanted. The old Guyot Designs SplashGuard will not work, nor will the newer HydraPak WaterGate. I have found the BottlePro SplashPro to work well.
I have used the 21 oz and 24 oz bottles most. I first EDCed the 21 oz for about 8 months, before deciding that I really wanted those extra 3 oz of volume. The 24 oz has been my EDC for the past 8 months. Both carry well on the bike in a King Cage Iris Cage.
Without any lids, the three bottles register on my calibrated scale as:
The bottles are not available in a raw finish. All three of mine are in the obsidian color, which is a nice chocolate brown. The paint does chip, particularly along the bottom, but this doesn’t bother me. One could probably avoid this by using one of those silicone boots, but these are not compatible with bike cages. I have dropped the bottles, and they do dent, but again, this does not bother me. If you’re looking for a pristine beauty queen, these bottles may not be your cup of tea. If you’re looking for functional, lightweight tools for a warming planet, these are great options.
The wild rag or neckerchief is an eminently functional tool. Worn around the neck, it protects from ultraviolet radiation. When wetted, it provides evaporative cooling. When dry, it can be used as a towel. It offers warmth when the mercury drops, and protection from the wind. It can be used as a furoshiki to bundle items together, or be tied into an impromptu bag. It may be fashioned into a sling, or used to tie a splint. The devolution of the wild rag into something as dumb as the modern necktie is the greatest crime perpetuated by Fashion since the invention of the high heel.
I bought my first wild rag at a used clothing store in 2004, though it wasn’t till seeing a suspiciously similar looking one as part of Viggo Mortensen’s costume in Appaloosa a few years later that I started to think of it as practical field equipment. By 2009 it was a standard part of my backpacking accouterment. Some time later the wild rag graduated to being just normal clothing, particularly when it is unusually hot or cold out. (The original rag that I bought used 19 years ago remains in the rotation.)
The standard size for a wild rag is 36” x 36”. This is larger than a pocket snot rag, which is typically 22” x 22”. It is large enough to be wrapped twice around the neck, with the tails still long enough to be easily knotted in the front. The wild rag will also usually be offered in a larger 44” x 44” size, but I find this too large to be worn.
The most common way to secure the wild rag around the neck is via a square knot. Being a gentleman of taste and culture, I sometimes tie mine in a half windsor. The so-called buckaroo square knot is another option, but I think it is pretty goofy looking. The only buckaroo I want in my life is Banzai.
A slide can be used in place of a knot. I have a couple of slides which are simply elongated ovals of leather with a snap in them. They work, and look nice, but are not as secure as a good knot when flying down a mountain on the bike. One could also use a woggle, but this is associated with people who march around in brown shirts, which I am allergic to.
The proper material for a wild rag is silk. People will try to sell you polyester rags, or blends of silk and cotton. Both are less functional than real, natural silk. The range of weather conditions in which silk remains comfortable is unusually wide. Avoid all imitations.
Silk rags are primarily offered in either Crepe de Chine or Charmeuse. Charmeuse looks and feels incredibly luxurious. It is very soft. One side is shiny and the other matte. But it is also warmer and slightly heavier than Crepe de Chine. Crepe de Chine has a rougher, pebble-like texture to it. It is lighter weight (by about 10 grams for the finished scarf) and better for warm weather, but still useful in the cold. Jacquard, where a pattern is sewn in with a lighter colored thread, is usually applied to Crepe de Chine fabric. Start out with one Crepe de Chine rag, then get one in Charmeuse. Next buy a few more of both, because this is an addiction.
Hems should be serged. Many sellers of silk wild rags offer the same patterns. They’re probably all buying the same bolts of fabric from the same suppliers. When you choose a seller, what you are really buying is the hem. A silk wild rag is not just a piece of fashion, but a durable, long-lasting tool. Serged hems will provide a longer service life than a hem which is simply rolled and stitched. You may save a little on the price with a lesser hem, but you will be disappointed in the long run. I wasted money before learning this lesson.
The best places that I have found to purchase a wild rag are Cowboy Images and Wild West Rag Co. Both apply serged hems to real silk. I’ve bought from both in the past and will buy from both again in the future.
Alternatives like shemaghs and neck tubes have their place, but my preference sits strongly with the silk wild rag.
