PRK is a similar procedure to the more popular LASIK. In LASIK a flap is cut in the cornea and set aside, the correction is performed underneath, and the flap is then placed back over the insulted area, providing a natural bandage. The scar from the flap never entirely heals, which is not a problem for most people most of the time. It is a concern if you get punched in the face. I box, which is to say I get punched in the face. In PRK the epithelium is abraded away, the correction performed, and then you just sort of hang out for a few weeks or a few months waiting for the epithelium to regenerate and shed and regenerate a few times – after which point there is no residual effects and you can go back to getting punched in the face, with no more concern than getting punched in the face normally warrants. LASIK was only approved by NASA in 2007, and is still frowned upon at SF HALO and SCUBA schools. The message is clear: if you want to keep the space marine option available, opt for PRK.
I have at times described it as being as if China Miéville had written a book in the Bridge trilogy, with plot devices contributed by Neal Stephenson. Other times I’ve just described it as my favorite William Gibson novel this millenium. Both of which I think communicate the tone of the book and the high regard in which I hold it. With Void Star, Zachary Mason created a sort of ethereal cultural exploration, very Gibsonian in nature, and you won’t like it if you’re reading it for the plot.
The audiobook is also very good. I say this as someone who dislikes audiobooks. Neither audio books nor podcasts fit into my life, and I can count the number of audiobooks I have ever listened to on two hands. But the actors who perform the three main characters of Void Star – especially the woman who voices Irena, who I wish would perform Pattern Recognition – are all perfect in their roles and somehow manage to capture how I imagined the characters when I read the book, which is a thing that I think rarely happens in any adaptation of a book into a different medium. Zachary Mason imbues the prose of his novel with a sort of poetry and rhythm that the actors all capture perfectly. I read the book a second time months after listening to the audiobook and found myself reading it in their voice, emulating their pacing.
I flew through El Dorado International Airport four times last month. On the final trip security was none too pleased when they spotted the Bogota Pi toolset in my pack. The normal Bogota Titans in my wallet were either missed or deemed not problematic. I found the experience ironic.
The Sparrows Mini Jim met with suspicion, but I just did my smile-nod-no-hablo-español routine and they put it back. One could make a convincing argument that Super Mica Shims are more appropriate for travel.
I first began to use the Schwalbe Marathon Supremes six years ago. Since then I have tried a few other tires, but within a couple months I invariably end up coming back to the Marathon Supremes. They ride well, only get maybe one or two flats per year, and I appreciate the visibility of the reflective sidewall. I tend to replace them after somewhere around a year of use – I think the set I removed today were in service for 15 months. I don’t track miles, so I don’t know what sort of distance the tires get me, but it’s up there. They aren’t cheap, but they’re worth it for the contribution they make to my everyday mobility.
I signed-up for Pinboard in 2014. It provides everything I need from a bookmarking service, which is mostly, you know, bookmarking. I pay for the archival account, meaning that Pinboard downloads a copy of everything I bookmark and provides me with full-text search. I find this useful and well worth the $25 yearly fee, but Pinboard’s archive is only part of the solution. I also need an offline copy of my bookmarks.
Pinboard provides an API that makes it easy to acquire a list of bookmarks. I have a small shell script which pulls down a JSON-formatted list of my bookmarks and adds the file to git-annex. This is controlled via a systemd service and timer, which wraps the script in backitup to ensure daily dumps. The systemd timer itself is controlled by nmtrust, so that it only runs when I am connected to a trusted network.
This provides data portability, ensuring that I could import my tagged URLs to another bookmarking service if I ever found something better than Pinboard (unlikely, competing with Pinboard is futile). But I also want a locally archived copy of the pages themselves, which Pinboard does not offer through the API. I carry very much about being able to work offline. The usefulness of a computer is directly propertional to the amount of data that is accessible without a network connection.
To address this I use bookmark-archiver, a Python script which reads URLs from a variety of input files, including Pinboard’s JSON dumps. It archives each URL via wget, generates a screenshot and PDF via headless Chromium, and submits the URL to the Internet Archive (with WARC hopefully on the way). It will then generate an HTML index page, allowing the archives to be easily browsed. When I want to browse the archive, I simply change into the directory and use python -m http.server to serve the bookmarks at localhost:8000. Once downloaded locally, the archives are of course backed up, via the usual suspects like borg and cryptshot.
The archiver is configured via environment variables. I configure my preferences and point the program at the Pinboard JSON dump in my annex via a shell script (creatively also named bookmark-archiver). This wrapper script is called by the previous script which dumps the JSON from Pinboard.
The result of all of this is that every day I get a fresh dump of all my bookmarks, each URL is archived locally in multiple formats, and the archive enters into my normal backup queue. Link rot may defeat the Supreme Court, but between this and my automated repository tracking I have a pretty good system for backing up useful pieces of other people’s data.
A metaphor can help understand the role of sleep and why alarm clocks are bad. We can compare the brain and its NREM-REM sleep cycles to an ordinary PC. During the day, while learning and experiencing new things, you store your new data in RAM memory. During the night, while first in NREM, you write the data down to the hard disk. During REM, which follows NREM in the night, you do the disk defragmentation, i.e. you organize data, sort them, build new connections, etc. Overnight, you repeat the write-and-defragment cycle until all RAM data is neatly written to the disk (for long-term use), and your RAM is clear and ready for a new day of learning. Upon waking up, you reboot the computer. If you reboot early with the use of an alarm clock, you often leave your disk fragmented. Your data access is slow, and your thinking is confused. Even worse, some of the data may not even get written to the disk. It is as if you have never stored it in RAM in the first place. In conclusion, if you use an alarm clock, you endanger your data.
With climate change, humans are beginning to appreciate that cities are not separate from the environment. They are environments. We should also recognize that the rural is, at least in part, man-made. Cities approaching the changes already in motion with a sense of the Earth as a biological network, rather than adopting psychological siege positions, will be essential for survival. Technology and engineering will need to be deployed in what is currently regarded as wilderness. In turn, what seems rural will have to be deployed in cities: rooftop and vertical gardens, wetland buffer zones, greenery as a sponge for rising waters, and towers that channel polluted air into greenhouses…
One of the things I vainly enjoy about e-books is that I can choose my favorite covers and apply them to whichever edition of the book I happen to have. The cover of a book sets its mood, and browsing through these covers in the Calibre grid offers remembered fragments of the worlds within.
For Joseph Conrad’s Heart of Darkness I use the Vintage Classics cover, slightly modified.
I don’t recall where I acquired the cover for my omnibus The Lord of the Rings.
Sometimes the editions I purchase come with enjoyable covers. I have a few of William Scott Wilson’s translations of historical Japanese works, and I find the covers used for his books by Shambala Publications aesthetically pleasing.
