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gear, review, food

Oatmeal Capsules

When I began mixing my standard issue oatmeal I stored it in Ziploc bags. The thicker freezer bags were reusable for a couple months before they needed to be replaced, but I wanted a longer lasting solution. This led me to the Sistema Klip It 1520. At 200ml this container is the right size for a single serving. The seal and locking clips keep the contents fresh. It is durable enough to last pretty much forever, and the stackable design makes it convenient to store multiple units.

Oatmeal Capsules

I’ve been using these as oatmeal capsules for about a year now. Five of them suffice for my weekday breakfast, but the size is useful enough that I purchased a handful more. I use them to store tea and snacks like umeboshi, dark chocolate covered almonds, and baby carrots.

Tea Storage

Sistema makes a handful of other containers that can be used with the 1520 to build a modular, stackable system that stores well in small spaces. The 1540 has the same footprint as the 1520, but is twice the height. The lids are interchangeable between the two. The 1550 is the same height as the 1520 but twice as wide. The 1600 has the same footprint as the 1550, and shares the same lid, but is the height of the 1540. These four units work well together.

audio, sleep, shell

Delta Drone

Last year BoingBoing linked to a video featuring delta waves produced by the idling engine of an ice breaker in the arctic. I found it to be a useful tool, so downloaded it for offline access. Later, I decided I wanted the audio on my phone. The video is a 10 hour loop, resulting in too large a file for mobile storage. To turn it into something reasonable for a phone, I used ffmpeg to extract the audio, chop it down to 3 hours, and add a 10 second fade on either end.

$ ffmpeg \
    -i ~/library/video/web/White\ Noise\ Sounds\ of\ Frozen\ Arctic\ Ocean\ with\ Polar\ Icebreaker\ Idling\ -\ Creating\ Delta\ Waves-gpW7iYfuGDU.webm \
    -vn \
    -ss 00:00:00 \
    -t 03:00:00 \
    -af afade=in:st=0:d=10,afade=out:st=10790:d=10 \
    ~/library/audio/misc/soundscape/arctic_white_noise.mp3

I then added ID3 tags from the metadata of the original video.

$ id3tag \
    --artist="Relax Sleep ASMR" \
    --song="White Noise Sounds of Frozen Arctic Ocean with Polar Icebreaker Idling - Creating Delta Waves" \
    --year=2017 \
    ~/library/audio/misc/soundscape/arctic_white_noise.mp3

The result is a 165 MB file of loopable delta waves, perfect for drowning out the world.

The original video has since been deleted (a reminder to download any data that you find to be useful), but is available at the Internet Archive.

Delta Waves

The above spectrogram of the file is produced by Spek.

micro, offworld

Isaac Arthur argues that O'Neill Cylinders are a more practical option for space colonization than terraforming.

In his video lecture on the subject he points out that the millions of tons of rock below your house are mostly just used to provide gravity, which can be achieved more efficiently by rotating a megastructure such as the previously mentioned O’Neill cylinder.

At some point someone ran the numbers on mass and came in at around 4-6000 megatons for the model 4 version, and if we assumed that was mostly dirt, steel, and water, that means that the number of cylinders with mass equal to our own planet would total over one quadrillion, or over a million billion, each having an internal area equal to bit over a millionth of Earth’s.

So if someone made a planet’s mass worth of those you would have a couple billion planets’ worth of living space. This happens to be about identical to the amount of sunlight the Sun cranks out relative to what hits Earth, a couple billion times more, and another notion that was gaining popularity at the same time was the Kardashev Scale and the Dyson Sphere or Swarm.

So if you found an Earth mass planet you could terraform it and now have a whole extra planet to live on, or your could turn it all into O’Neill Cylinders in a swarm around a star and have a billion extra planets’ worth of living area. And unlike terraforming a planet, which does require about as much work per bit of new living area as just building it from scratch, when you’re done you have a structure with identical conditions to that of Earth, since you can dial it’s gravity up to whatever you want, and light the thing on whatever schedule or temperature you want. You don’t have to mimic Earth’s conditions, but you have that option.

micro, gear, stationery

Use #361 for the Thyrm CellVault is storage of spare ink cartridges.

I keep half a dozen of the aforementioned fine Fisher cartridges (black, red, and blue), as well as a Parker Ballpoint Refill and a Parker Gel Refill in a standard CellVault. Keeping small, infrequently used items like that organized is key for future sanity.

micro, gear, stationery

I prefer to use the fine cartridge in my Fisher Space Pens.

The difference in line width is negligible – only noticeable when compared side-by-side – but the fine cartridge writes more smoothly and avoids the build-up at the tip that often occurs when the medium cartridge is unused for some time.

IMG_20190212_193341

micro, offworld

NASA Ames Research Center's 1970s-era space settlement project shaped a vision of the future.

Via Artsy:

In 1975, scientists at NASA’s Ames Research Center in Mountain View, California, dreamt up ideas for habitats that could house human civilization in space. Rick Guidice was a freelance illustrator with a background in architecture when NASA tasked him with creating the artistic renderings.

…

While the diagrams Guidice referenced might have envisioned how humans could survive in outer space, his paintings depict a future where humans could thrive. Lush English gardens and glassy ponds fill the floating platforms of cylindrical space colonies. Spherical habitats are flanked by reflective surfaces that mimic sunlight. A cross-section of swirling structures reveal rich layers of agricultural farmland. This was NASA’s modernist fantasy of the future.

NASA Ames Research Center Cylindrical Colony

More on the settlement project.

review, ablution

On Scouring

Back in 2013 Brian Green published a review of the Lunatec Trekr washcloth. My showers haven’t been the same since.

The Trekr is a simple nylon scouring cloth, measuring 11” x 11”, with an elastic loop for hanging. It’s the same material as a synthetic loofah, but being a flat cloth it doesn’t hold moisture. At the time Brian posted the review I was on a campaign to eliminate sponges and sponge-like things from my life. Any cleaning tool in the bathroom or kitchen that holds water becomes a Petri dish for bacteria, in humid areas especially so. I bought the Trekr to try at home, and it immediately earned a spot in my daily ablutions.

Lunatec’s marketing campaign for the Trekr revolves heavily around the cloth being “self-cleaning”, which just means that the material doesn’t absorb anything, dries quickly, and every time you use it you are cleaning it with soap and water. I think this claim is accurate, though I still throw them into the laundry every couple weeks, more as impetus to rotate the cloths than out of the need to clean them.

Shortly after acquiring the Trekr I learned that it was just a smaller take on the Salux cloth. Hailing from Nippon, the Salux is exactly the same material as the Trekr, but measures in at a longer 33” x 11”. The larger size makes it easy to scour your back, as demonstrated by the naked lady on their packaging.

I now own about half a dozen of the Salux cloths for use at home, and the same number of Trekr cloths. I throw a Trekr cloth in my bag whenever I’m showering away from home – travel, backpacking, at the gym, or after the axolotl tanks.

To use either the Trekr or Salux, I wet the cloth, give it a few gentle swipes across a bar of soap (it also works fine with liquid soap), and then start scrubbing from head to toes. The cloth lathers, cleanses, and exfoliates dead skin – which, as we learned from Gattaca is key to leading a successful life in our future eugenic utopia.

I have also tried the Lunatec Scrubr dishcloth, which is made of a thicker and more abrasive nylon. It is less exciting. I’ll occasionally use it to scrub a surface clean at home, but for backcountry dish cleaning the spatula reigns supreme.

micro, audio, media

The score to Blade Runner 2049 failed to live up to the original, and is the only thing that prevented me from scoring the film 10/10.

But as an ambient soundscape, it excels. The soundscape creator wrote about his experience cutting, slowing, and mixing the score. I keep a copy of his audio on my phone and play it whenever I need white noise – concentration, meditation, sleep. It proved excellent on an airplane a couple weeks ago.

Ambiance

Luv loop via reddit.